Devo Album Covers: An Edgy Look at the Art of De-Evolution
Devo, the American rock band that rose to prominence in the late 1970s and early 1980s, are known for their quirky brand of new wave music and surreal music videos. However, one aspect of their career that is often overlooked is their album covers. In this article, we will explore the fascinating world of Devo album covers, from their early DIY efforts to their more polished later work.
Let’s start with their debut album, “Q: Are We Not Men? A: We Are Devo!” The album’s eye-catching cover features a painting of the band members’ faces overlaid with a grid of black and white squares. The grid is reminiscent of the kind used in early computer graphics and suggests the band’s interest in technology and dehumanization. The cover was designed by Devo’s resident artist, Gerald Casale, who would go on to create many of their most memorable album covers.
Devo’s second album, “Duty Now for the Future,” features a more minimalistic cover. A yellow line zigzags across a black background, with the band’s name and album title in bold white letters. The cover’s simplicity is in line with the band’s minimalist aesthetic and stands out in an era when album covers were often elaborate and ornate.
For their third album, “Freedom of Choice,” Devo opted for a more colorful cover. The image features a mannequin wearing a red dress and holding a flower in her hand. The mannequin’s face is obscured by a television set, which displays the band’s name and album title. The cover is a critique of consumer culture and the way that people are programmed by media and advertising.
Moving on to their fourth album, “New Traditionalists,” Devo revisited their earlier grid motif. This time, the faces of the band members are arranged in a pyramid shape on a black and white grid. The cover is a nod to the band’s fascination with totalitarianism and the idea of de-evolution.
In 1982, Devo released “Oh, No! It’s Devo,” which features a striking cover designed by Casale. The image depicts an abstract figure made up of interlocking gears and machinery. The figure’s head is a television set, which displays the band’s name and album title. The cover is a commentary on the dehumanizing effects of technology and how it can shape our identity.
For their sixth album, “Shout,” Devo experimented with a new look. The cover features a photograph of a man wearing a green suit, with his face obscured by a yellow triangle. The cover is a departure from the band’s previous covers, which had a more graphic design.
Devo’s seventh album, “Total Devo,” features a cover that is both playful and surreal. The image features a photograph of a red rubber duck with the band’s name and album title in bold letters. The duck is surrounded by a blue sky and clouds, giving the cover a dreamlike quality.
Finally, we have “Smooth Noodle Maps,” Devo’s last album before their dissolution in the early 1990s. The cover features a photograph of a man’s head made entirely out of puzzle pieces. The puzzle pieces are arranged in a way that suggests a distorted and fragmented identity, reflective of the band’s interest in dehumanization and de-evolution.
In conclusion, Devo album covers are as diverse and complex as the band’s music and philosophy. From their early experiments with grids and minimalism to their later forays into surrealism and pop culture, their album covers are a testament to their artistic vision and their desire to challenge conventions. If you’re a fan of Devo, or of album cover art in general, these covers are a must-see.
If you are looking for Oh, No! It's Devo – Devo — Listen and discover music at Last.fm you’ve came to the right web. We have 10 Images about Oh, No! It's Devo – Devo — Listen and discover music at Last.fm like 'Are We Not Men?' Turns 40: 8 Memorable Devo Covers – Stereogum, Not Men: The story behind the devolved cover of Devo’s debut album and also DEVO – Boxset on Behance. Read more:
Oh, No! It's Devo – Devo — Listen And Discover Music At Last.fm
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